Cyberpunk-Mangas!

BLAME! von Tsutomu Nihei
http://en.wikipedia.org/wiki/Blame!

„Plot

Killy, a silent loner possessing an incredibly powerful weapon known as a Gravitational Beam Emitter, wanders a vast technological world known as „The City“. He is searching for Net Terminal Genes, a (possibly) extinct genetic marker that allows humans to access the „Netsphere“, a sort of computerized control network for The City. The City is an endless vertical space of artificially-constructed walls, stairways and caverns, separated into massive „floors“ by nearly-impenetrable barriers known as „Megastructure“. The City is inhabited by scattered human and transhuman tribes as well as hostile cyborgs known as Silicon Creatures. The Net Terminal Genes appear to be the key to halting the unhindered, chaotic expansion of the Megastructure, as well as a way of stopping the murderous horde known as the Safeguard from destroying all humanity.

Along the way, Killy meets and joins forces with a resourceful engineer named Cibo and a tribe of human warriors called the Electro-Fishers. They are pursued by the Safeguard, who view any human without Net Terminal Genes as a threat to be extinguished on sight.“

NOiSE von Tsutomu Nihei
http://en.wikipedia.org/wiki/NOiSE

NOiSE (ノイズ, Noizu?) is a one volume manga created by Tsutomu Nihei as a prequel to his ten-volume work, Blame!. Noise offers some information concerning the Megastructure’s origins and initial size, as well as the origins of Silicon life.

Biomega von Tsutomu Nihei
http://en.wikipedia.org/wiki/Biomega

„Plot

Set in the future, the plot follows Zouichi Kanoe and his AI companion Fuyu Kanoe, whose luminous form is integrated into the system of his motorcycle. They are agents sent by Toha Heavy Industries to retrieve humans with the ability to resist and transmute the N5S infection, which is spreading across the world, turning humans into „Drones“; disfigured, zombie-like beings.

The art in Biomega is similar to Blame!, with its complicated concrete sprawl and extremely vast, empty spaces. However, things seem to happen at a more reasonable pace. In this manga, there is emphasis on the swiftness of the attacks made by Zouichi, such as the gun being holstered just before the enemies fall to the ground. Speed is crucial in this manga, unlike in Blame!, and the plot develops quickly.“

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